DCI-Compliant DCP Creation for Films, Festivals and Theatrical Screenings
Remote, reliable DCP mastering with thorough QC, clear communication, and customer support so your film plays perfectly on the big screen.
You’ve done the hard work to create a film that represents your vision. Let us help you take the final step of getting it onto the big screen.
For any film or video to screen in a theater, you need a Digital Cinema Package, or DCP, for the projector. Our team has produced DCPs that have played in theaters and film festivals all over the world.
Trusted by productions that screened at Cannes, Big Sky, DOC NYC, Full Frame, River Run, CPH:DOX, Sheffield Doc Fest, Sydney Film Festival, Atlanta Film Festival.
Let us quickly and reliably deliver a DCP and final prints for your project.
DCPs starting at $8/min
2K or 4K resolution, $80 minimum
Our DCPs screen at festivals around the world, including . . .
DCP Services
DCP Production - $8/min
DCP Production for any video or film. Delivery via digital download link. $80 minimum for short films.
Timeframe: delivery within three days after client delivers required assets
DCPs can be provided in 2K or 4K resolution. Sound formats can be stereo or 5.1 surround.
DCP Version Files - Subtitles/Captions
Additional $3/min
Our team will take the subtitles or captions for your film, format them to DCP standards, and create a version file that will play with your DCP.
Custom conform and print packages
Contact for pricing
If you need a custom print package including conforming, CRU drive creation, ProRes file exports, multiple version files, please email for a custom quote.
Overnight rush delivery - Contact for availability
Additional $5/min
Depending on availability, we can deliver your DCP rushed overnight via a download link. Please contact in advance for availability and prepare to send assets in a timely manner.
Built for reliability, delivered on deadline
Frequently Asked Questions
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A Digital Cinema Package (DCP) is the standard format used for digital cinema projection. If your film is screening in a commercial theater or most film festivals, you will typically need a DCP to ensure reliable playback on cinema projectors. If you are unsure what you need, share the venue or festival requirements and we will help confirm the correct delivery format.
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We can work with a range of professional master files. In general, the best starting point is a high-quality master export (often ProRes 422 HQ or ProRes 4444 XQ) with the final picture locked, plus your final audio deliverables. If you tell us your editing software and what you can export, we will recommend the cleanest, most reliable option for cinema playback.
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Yes. We deliver DCPs in 2K or 4K, depending on your needs and the screening requirements. If you are not sure which to choose, we can recommend the right option based on your master resolution.
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Yes, we can create and deliver physical DCPs on hard drives that are ready to be sent to theaters. CRU drives are the standard hard drives theaters use to load DCPs onto their servers. It requires special formatting. We can purchase a CRU drive for you, properly format it, load in your DCP and deliver it to the theater.
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Yes. We support both stereo and 5.1 surround sound DCPs. If you provide a 5.1 mix, we will confirm the channel configuration and ensure it is correctly set up for cinema playback.
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Yes. If you provide subtitles or captions, we can format them to DCP standards and create a version file that plays properly with your DCP. If you are not sure what file type you have, send what you have and we will confirm what is needed.
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If your project requires encryption, we can help you plan the right approach and next steps. Encryption and KDM workflows depend on the screening plan, the venues, and the access window, so we will confirm requirements before proceeding.
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Typical turnaround is within three days after we receive all required assets and confirm specs. We can provide overnight rush delivery for an additional fee when available.
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You can deliver assets to us either by secure download link or by shipping a hard drive. Most remote clients use an upload link for speed and convenience, but shipping a drive can be best for very large projects or limited internet bandwidth. We will recommend the easiest option for your project.
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We run every DCP through a thorough 37-point QC verification to reduce the risk of playback surprises. This includes confirming the technical specs, checking picture and audio behavior, and verifying that the package is organized and ready to deliver to a theater or festival with confidence.
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You receive the final DCP package plus clear instructions for delivery or ingestion. We also provide guidance on naming, organization, and any festival or theater-specific delivery requirements so you can hand off the package smoothly and on time.